Andreas Lutz’s (*1981 in Freiburg, Germany) initial works refer to alternative human machine interaction and the approach, to create integrated and universal communication systems. In his recent work, he increasingly analyzes and reveals phenomenons of perception versus reality and principles of abstract aesthetics with audio-visual installations. The creation of experimental soundscapes and the relation of semiotics and sound are further aspects of his work.
Among others, Lutz’s work has been exhibited at the Center for Art and Media (ZKM) in Karlsruhe (Germany), the Antarctic Pavilion during 57th Venice Biennale (Italy), the National Art Center Tokyo (Japan), at ISEA2017 in Manizales (Colombia), the OpenArt Biennale in Örebro (Sweden), at Galerie Mazzoli in Berlin (Germany), at FILE in São Paulo (Brazil) and won the Excellence Award at the 19th Japan Media and Arts Festival (Japan), the Premio Celeste Art Prize (Italy), the Webby Award (USA) and the German Design Award (Germany).
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