June 30, 2020 Vital Weekly on Dyad This is some very extreme music. (…) It all sounded akin to the works of Pan Sonic, especially when it came to using short repeated segments (i.e. loops and rhythms), Ikeda (the high versus low end) and Alva Noto (a combination of long-form sine wave sounds and rhythms). Read more
November 26, 2019 Vital Weekly on Form What I particularly liked about this that there are four pieces which can be seen as originals and then from each of these four, mHz created a remix of some sort, reshaping some of the elements, making it quite a different song altogether, and yet recognizable when compared to the original. Read more
November 6, 2019 Toneshift on Form This is drone by frequency, bound by a sort of quasi, quantum mathematic scheme and its voluminous residual brightness. (…) The minimalism of mHz is striking and coded, slightly animated in terms of production style that comes off like hard-edged collage here and there. Read more
July 29, 2019 GROOVE Magazin on Construct Bei minim stehen die Zwischenräume im Fokus, und eben nicht mehr die klanglich-kompositorischen Inhalte, die diese Zwischenräume definieren. Purer und klarer kann elektronische Musik nicht werden – und konkreter auch kaum. Read more
July 19, 2019 Rumore Magazine on Construct Per l´etichetta tedesca Kasuga la musicista rumena minim (Diana Dulgheru) pubblica un album di elementari pulsazioni glitch reiterate, che acquistano complessitá nel loro svilupparsi in concomitanza con bordoni elettronici elementari. Read more
July 9, 2019 Sodapop on Construct Il senso della composizione e del dettaglio rende in realtà l’ascolto piacevole, tanto da farti sprofondare in un loop percettivo e mentale che trascende e completa lo sviluppo espressivo dei pochissimi elementi. Read more
June 21, 2019 Chain D.L.K. on Construct It’s rare to hear a release that’s quite so bold with its stripped back approach, but there’s an elegance to it that’s hard to dispute. A release best suited to listening in a very isolated sonic environment, as it’s only there that the atmosphere here reaches its full immersive potential. Read more
June 18, 2019 Toneshift on Construct minim creates a calculated collection of compositions that somehow, despite it’s sparse structures, comes off rather warm (and a bit psychedelic) rather than strictly mathematical. Read more
March 5, 2019 Toneshift on Current Current is the new album by the Bucharest-based artist, the track titles of which make their theme more than apparent. Titles such as Volt, Phase and Ohm wear their hearts firmly on their sleeves: this is electronic music about electricity itself. Read more
March 1, 2019 Rockerilla on Current Da Bucarest un nuovo nome da aggiungere alla mappa dei musicisti techno che preferiscono operare nell'ombra: Syntax. Read more
February 18, 2019 The Moderns on Current Current (a lovely title that can be seen as referring to both electricity and a sense of relevance) feels like an electropop record stripped to its bare essentials and then reassembled as art. Read more
February 6, 2019 Vital Weekly on Current People like Syntax work very much along the early lines set out by Alva Noto, Jan Jelinek, Ryoji Ikeda or even Pole, but his approach is slightly more playful and lighter, most of the times, with some nasty bumps in Dipole or Vector. Read more
December 13, 2018 Mes enceintes font défaut on Intricate Connections Formed Without Touch C’est fou ce qu’on peut faire avec un brin d’imagination et, croyez-moi, il est difficile d’en démontrer davantage que l’artiste montréalais Adam Basanta. Read more
December 7, 2018 Rockerilla on Intricate Connections Formed Without Touch Completamente immersi tra le intricate connessioni che sembrano non avere una forma specifica, materia impalpabile che danza nello spazio. Read more
December 3, 2018 FBi Radio on Intricate Connections Formed Without Touch On Intricate Connections Formed Without Touch Montréal-based musician Adam Basanta takes a recording of a single acoustic guitar improvisation and re-contextualises it by chopping it up and rebuilding it. Read more
November 14, 2018 Silence And Sound on Intricate Connections Formed Without Touch Sur Intricate Connections Formed Without Touch, tout est fragment et assemblage, dé-construction et re-construction, composé à partir de l’enregistrement d’une guitare acoustique dont les sonorités sont revisitées via l’utilisation d’un laptop. Read more
October 2, 2018 Toneshift on Binary Supremacy In his follow-up to Zwölftonform (2016) Andreas Lutz presents his latest set of eight new pieces, Binary Supremacy. The Kasuga Records (Berlin) release is in a limited edition of 100 copies via SD card and digital. Read more
September 10, 2018 Utility Fog on Binary Supremacy German artist Andreas Lutz brings us malfunctioning machines on his new album Binary Supremacy - on our first selection, a computerised voice spitting out numbers while drum machines scatter quasi-rhythmic patterns and a ravey bassline gradually asserts itself. Read more
August 31, 2018 Chain D.L.K. on Binary Supremcay Although framed in thoroughly artistic terms of abstract aesthetics and exhibitions instead of performances, Binary Supremacy as an audio product fits quite nicely into the category of downtempo electronica and soundscaping. Read more
