February 6, 2019 Vital Weekly on Current People like Syntax work very much along the early lines set out by Alva Noto, Jan Jelinek, Ryoji Ikeda or even Pole, but his approach is slightly more playful and lighter, most of the times, with some nasty bumps in Dipole or Vector. Read more
December 13, 2018 Mes enceintes font défaut on Intricate Connections Formed Without Touch C’est fou ce qu’on peut faire avec un brin d’imagination et, croyez-moi, il est difficile d’en démontrer davantage que l’artiste montréalais Adam Basanta. Read more
December 7, 2018 Rockerilla on Intricate Connections Formed Without Touch Completamente immersi tra le intricate connessioni che sembrano non avere una forma specifica, materia impalpabile che danza nello spazio. Read more
December 3, 2018 FBi Radio on Intricate Connections Formed Without Touch On Intricate Connections Formed Without Touch Montréal-based musician Adam Basanta takes a recording of a single acoustic guitar improvisation and re-contextualises it by chopping it up and rebuilding it. Read more
November 14, 2018 Silence And Sound on Intricate Connections Formed Without Touch Sur Intricate Connections Formed Without Touch, tout est fragment et assemblage, dé-construction et re-construction, composé à partir de l’enregistrement d’une guitare acoustique dont les sonorités sont revisitées via l’utilisation d’un laptop. Read more
October 2, 2018 Toneshift on Binary Supremacy In his follow-up to Zwölftonform (2016) Andreas Lutz presents his latest set of eight new pieces, Binary Supremacy. The Kasuga Records (Berlin) release is in a limited edition of 100 copies via SD card and digital. Read more
September 10, 2018 Utility Fog on Binary Supremacy German artist Andreas Lutz brings us malfunctioning machines on his new album Binary Supremacy - on our first selection, a computerised voice spitting out numbers while drum machines scatter quasi-rhythmic patterns and a ravey bassline gradually asserts itself. Read more
August 31, 2018 Chain D.L.K. on Binary Supremcay Although framed in thoroughly artistic terms of abstract aesthetics and exhibitions instead of performances, Binary Supremacy as an audio product fits quite nicely into the category of downtempo electronica and soundscaping. Read more
