Image credit: Konrad Gustawski

Andreas Lutz’s initial works refer to alternative human machine interaction and the approach, to create integrated and universal communication systems. In his recent work, he increasingly analyzes and reveals phenomenons of perception versus reality and principles of abstract aesthetics with audio-visual installations. The creation of experimental soundscapes and the relation of semiotics and sound are further aspects of his work.

Among others, Lutz’s work has been exhibited at the Center for Art and Media (ZKM) in Karlsruhe (Germany), the Antarctic Pavilion during 57th Venice Biennale (Italy), the National Art Center Tokyo (Japan), at ISEA2017 in Manizales (Colombia), the OpenArt Biennale in Örebro (Sweden), at Galerie Mazzoli in Berlin (Germany), at FILE in São Paulo (Brazil) and won the Excellence Award at the 19th Japan Media and Arts Festival (Japan), the Premio Celeste Art Prize (Italy), the Webby Award (USA) and the German Design Award (Germany).

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Events

News

• Soundrive on Abstract Language Model November 13, 2023
• Glissando on Abstract Language Model (Live) November 10, 2023
• Musique Machine on Abstract Language Model October 24, 2023
• Vital Weekly on Abstract Language Model October 10, 2023
• Silence And Sound on Abstract Language Model September 24, 2023
• Vital Weekly on Dyad June 30, 2020
• Toneshift on Binary Supremacy October 2, 2018
• Utility Fog on Binary Supremacy September 10, 2018
• Chain D.L.K. on Binary Supremcay August 31, 2018